It’s time start talking about The Street of Crocodiles by Bruno Schulz which is the latest reading choice of The Slaves of Golconda. The Street of Crocodiles is a collection of fantastical stories that try to capture the memories of a life lived in the Polish city of Drogobych. My first reaction to this book was that I had entered the realm of dreams. For example, here’s a description of the home.
“We lived on Market Square, in one of those dark houses with empty blind looks, so difficult to distinguish one from the other. This gave endless possibilities for mistakes. For, once you had entered the wrong doorway and set foot on the wrong staircase, you were liable to find yourself in a real labyrinth of unfamiliar apartment and balconies, and unexpected doors opening onto strange empty courtyards, and you forgot the initial object of the expedition, only to recall it days later after numerous strange and complicated adventures, on regaining the family home in the gray light of dawn.â€
And just like in dreams, actions, people and things may not seem quite right but you don’t question them. I accepted Father’s bird kingdom and the fact that his pet condor uses a chamberpot. I particularly enjoyed the description of Uncle Charles being so tired after a night of revelry and going to bed only to fight with the bedding that engulfed him. In doing a bit of research I noted that some critics compared Schulz’s writing to that of Gabriel Garcia Marquez and that works for me. This dream quality carried throughout the book is certainly a staple of magical realism.
I found myself underlining sentence after sentence of beautiful imagery until I realized I was marking every other paragraph. I could also argue that this book felt like a long prose poem. And, I even think some of these stories would be perfect for reading aloud. Perhaps the only thing that did bother me quite a bit was the lack of dialogue. In the thirteen stories that make up the book some had no dialogue at all.
My favorite story was The Cinnamon Shops. As I read this I couldn’t help but think of some of the art works of Joseph Cornell. I know that might sound odd but just like Cornell who could create art from the commonplace, I think Schulz does just the same thing. Take a look at this description of the Cinnamon Shops:
These truly noble shops, open late at night, have always been the objects of my ardent interest. Dimly lit, their dark and solemn interiors were redolent of the smell of pain, varnish and incense; of the aroma of distant countries and rare commodities. You could find in them Bengal lights, magic boxes, the stamps of long forgotten countries, Chinese decals, indigo, calaphony from Malabar, the eggs of exotic insects, parrots, toucans, live salamanders and basilisks, mandrake roots, mechanical toys from Nuremberg, homunculi in jars, microscopes, binoculars, and, most especially, strange and rare books, old folio volumes full of astonishing engravings and amazing stories.
Overall I was pleased with the book. It was challenging and I feel as if I only skimmed the surface. I still have yet to figure out why Adela was such a powerful figure and what she represented, and what about the encounter with Pan? What did that signify? So much I still have to decipher. This is one book that would definitely benefit from a reread.
I can’t wait to hear what my fellow Slaves thought of the book. If you’ve read the book or would like to hear more about it, join us over at the MetauxCafé forums.
That sounds like an amazing shop…I want to go there NOW!!! You’re right, very very vivid description.
Great post. I haven’t even started mine–I better try and gather some coherent thoughts!! This would definitely be worthy of more than one reading!
I’m still working on my post. I’d much rather skip it, though, and go straight to discussion at the Cafe. See you there this evening, Iliana?
Kisane – I know, I want to shop there too. Much better than the malls don’t you think?
Danielle – Thank you. I had been so delinquent in posting my thoughts on the other reads that I really made an effort this time 🙂
Susan – I’ll definitely be at the cafe later!
Joseph Cornell is my guy. I love him.
Here’s a link to an article in the Smithsonian magazine:
http://www.smithsonianmagazine.com/issues/2007/february/object.php
Here’s a link to the latest museum exhibit.
http://americanart.si.edu/reynolds_center/event.cfm?key=567&exhibit=817
If you can get yourself to D.C., San Fran, or Boston, you can see the exhibit.
Remember that the Modern at Fort Worth has a couple of his pieces.
The Mo
The Cinnamon Shops story was my favourite also — I picked out that same paragraph for the post I’m putting together. There’s not much by way of plot to any of them, and I’m struck by how powerfully visual they are (I’m also reminded of specific artwork, which I’ll share), which makes the book very much dream-like.
Isabella – I’m looking forward to reading your post on the book and I’m so curious about the artwork it reminds you of! Hope to see you in the cafe too.
I’m glad that I put this on my Reading Across Borders list! It sounds great.
How’d you like Emma?
Isabel – I thought about you when I read this book. I think you’d really like it. Thanks for the links by the way. I haven’t been to the Modern in a long time.
Eva – I hope you enjoy the book. It is so different from anything I’ve read in a long time. Emma I thought was delightful. I was a bit surprised by all the class issues raised and I admit I didn’t like those parts too much but overall I loved it.